Died aged c. 59
Éric Alfred Leslie Satie (UK: /ˈsæti, ˈsɑːti/, US: /sæˈtiː, sɑːˈtiː/; French: [eʁik sati]; 17 May 1866 – 1 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd, while his 1917 coinage "furniture music" would presage the development of background and ambient music. An eccentric, Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous works, the piano compositions Gymnopédies. Later, he also referred to himself as a "phonometrician" (meaning "someone who measures sounds"), preferring this designation to that of "musician", after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911. In addition to his body of music, Satie left a set of writings, having contributed work for a range of publications from the dadaist 391 to the American culture chronicle Vanity Fair. Although in later life he prided himself on publishing his work under his own name, in the late 19th century he appears to have used pseudonyms such as Virginie Lebeau and François de Paule in some of his published writings.DbPedia
Commemorated on 3 plaques
Erik Satie compositeur de musique a vecu dans cette maison de 1890 a 1898
English translation: Erik Satie music composer saw in this house from 1890 to 1898 [AWS Translate]
6 Rue Cortot, Paris, France where they lived
Erik Satie, 1866-1925, compositeur, a vécu dans cette maison.
English translation: Erik Satie, 1866-1925, composer, lived in this house.
90 rue Haute, Honfleur, France where they lived
Dans l'effervescence créatrice des années 1920, l'hôtel Istria accueillit, entre autres artistes, Francis Picabia, Marcel Duchamp, Moïse Kisling, peintres, Man Ray, photographe, Kiki de Montparnasse, modèle et égérie, Erik Satie, compositeur, Rainer Maria Rilke, Tristan Tzara, Vladimir Maïakovski, poètes, et Louis Aragon qui y rejoignait Elsa Triolet. "Ne s'éteint que ce qui brilla ... Lorsque tu descendais de l'hôtel Istria, Tout était différent Rue Campagne Première, En mil neuf cent vingt neuf , vers l'heure de midi ..." Louis Aragon (Il ne m'est Paris que d'Elsa.)
English translation: In the creative effervescence of the 1920s, Hotel Istria welcomed, among other artists, Francis Picabia, Marcel Duchamp, Moïse Kisling, painters, Man Ray, photographer, Kiki de Montparnasse, model and mighty, Erik Satie, composer, Rainer Maria Rilke, Tristan Tzara, Vladimir Maiakovski, poets, and Louis Aragon who joined there Elsa Triolet. “Only that which shone... When you came down from the Hotel Istria, Everything was different in Rue Campagne Première, in 1929, around noon...” Louis Aragon (I'm Paris only from Elsa.)
29 rue Campagne-Première, Paris, France where they worked