Palais de l'Archevêché (1340-1905)

place, Archbishop's Palace (1340-1905), and museum (from 1910)

Closed aged c. 565

The Archbishop's Palace of Paris (French: Palais de l'Archevêché de Paris or the Palais Archiépiscopal) was the residence of the Archbishop of Paris, located just south of the Notre Dame de Paris. It was built in 1161 and destroyed in 1831.
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Aix-en-Provence, France

Palais de l'Archevêché L'archevêché fut établi dans ce lieu vers 1340, transporté du faubourg de la Seds, dit "Ville des Tours", trop isolé face à l'insécurite. Le Palais fut sans cesse agrandi jusqu'à la fin du 18e siècle, pour être digne de la puissance spirituelle et temporelle des Princes de l'église qui l'habitaient. Tous les souverains français de passage à Aix y furent logés, de François 1er à Napoléon III. La réconciliation de Louis XIV et de Condé y fut scellée dans le Salon jaune. Un vaste réaménagement fut mené de 1650 à 1730, auquel participa Laurent Vallon. Durant celluici la façade et la porte monumentale de style Régence attribuée à Bernard Toro furent créées (1715). Sécularisé en 1905, il devint un musée en 1910 qui conserve les tapisseries possédées par les archevêques. Ces collections furent enriches de textiles du 20e siècle et d'objets relatifs au Festival d'Art Lyrique. C'est dans sa cour qu'est traditionnellement abrité ce festival international.

English translation: Palace of the Archbishop The archbishop was established in this place around 1340, transported from the suburb of the Seds, called “City of Tours”, too isolated in the face of the insecurity. The Palace was constantly enlarged until the end of the 18th century, to be worthy of the spiritual and temporal power of the Princes of the Church who inhabited it. All the French rulers passing through Aix were housed there, from Francis 1st to Napoleon III. The reconciliation of Louis XIV and Condé was sealed in the Yellow Salon. A major redevelopment was carried out from 1650 to 1730, in which Laurent Vallon participated. During cellici the façade and the monumental Regency-style door attributed to Bernard Toro were created (1715). Secularized in 1905, it became a museum in 1910 that preserves the tapestries owned by the archbishops. These collections were enriched with 20th century textiles and objects related to the Lyric Art Festival. This international festival is traditionally housed in its courtyard. [AWS Translate]

Musée des Tapisseries - Palais de l'Archevêché - Place des Martyrs de la Resistance, Aix-en-Provence, France where it sited