Vladimir Maïakovski
(1893-1930)
Died aged 36
Wikidata WikipediaVladimir Vladimirovich Mayakovsky (UK: /ˌmaɪəˈkɒfski/, US: /ˌmɑːjəˈkɔːfski/; Russian: Влади́мир Влади́мирович Маяко́вский, IPA: [vlɐˈdʲimʲɪr vlɐˈdʲimʲɪrəvʲɪtɕ məjɪˈkofskʲɪj]; 19 July [O.S. 7 July] 1893 – 14 April 1930) was a Russian and Soviet poet, playwright, artist, and actor. During his early, pre-Revolution period leading into 1917, Mayakovsky became renowned as a prominent figure of the Russian Futurist movement. He co-signed the Futurist manifesto, A Slap in the Face of Public Taste (1913), and wrote such poems as "A Cloud in Trousers" (1915) and "Backbone Flute" (1916). Mayakovsky produced a large and diverse body of work during the course of his career: he wrote poems, wrote and directed plays, appeared in films, edited the art journal LEF, and produced agitprop posters in support of the Communist Party during the Russian Civil War of 1917–1922. Though Mayakovsky's work regularly demonstrated ideological and patriotic support for the ideology of the Bolsheviks and a strong admiration of Vladimir Lenin, his relationship with the Soviet state was always complex and often tumultuous. Mayakovsky often found himself engaged in confrontation with the increasing involvement of the Soviet state in cultural censorship and the development of the State doctrine of Socialist realism. Works that criticized or satirized aspects of the Soviet system, such as the poem "Talking With the Taxman About Poetry" (1926), and the plays The Bedbug (1929) and The Bathhouse (1929), met with scorn from the Soviet state and literary establishment. In 1930, Mayakovsky killed himself. Even after death, his relationship with the Soviet state remained unsteady. Though Mayakovsky had previously been harshly criticized by Soviet governmental bodies such as the Russian Association of Proletarian Writers (RAPP), Premier Joseph Stalin described Mayakovsky after his death as "the best and the most talented poet of our Soviet epoch".
DbPedia
Commemorated on 1 plaque
Dans l'effervescence créatrice des années 1920, l'hôtel Istria accueillit, entre autres artistes, Francis Picabia, Marcel Duchamp, Moïse Kisling, peintres, Man Ray, photographe, Kiki de Montparnasse, modèle et égérie, Erik Satie, compositeur, Rainer Maria Rilke, Tristan Tzara, Vladimir Maïakovski, poètes, et Louis Aragon qui y rejoignait Elsa Triolet. "Ne s'éteint que ce qui brilla ... Lorsque tu descendais de l'hôtel Istria, Tout était différent Rue Campagne Première, En mil neuf cent vingt neuf , vers l'heure de midi ..." Louis Aragon (Il ne m'est Paris que d'Elsa.)
English translation: In the creative effervescence of the 1920s, Hotel Istria welcomed, among other artists, Francis Picabia, Marcel Duchamp, Moïse Kisling, painters, Man Ray, photographer, Kiki de Montparnasse, model and mighty, Erik Satie, composer, Rainer Maria Rilke, Tristan Tzara, Vladimir Maiakovski, poets, and Louis Aragon who joined there Elsa Triolet. “Only that which shone... When you came down from the Hotel Istria, Everything was different in Rue Campagne Première, in 1929, around noon...” Louis Aragon (I'm Paris only from Elsa.)
29 rue Campagne-Première, Paris, France where they worked